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The science of logos · A field guide
Fifty-one ways to spell VIS
Every genre of Metal has its own rules and aesthetics, and it gets weirdly specific: subgenre, microgenre, even a band's hometown can change what its logo looks like. To make sense of it all, I drew the same name, VIS, in 51 genre styles, had them vetted by scene veterans, and added some humorous, tongue-in-cheek commentary on how each one is made.
“Folk Metal has little to no coolness at all, and this shows in the logos.”
“The letters are spaced miles apart from each other so as to visually convey the sense of mind-numbing slowness.”
“Djent logos are often deluged with ‘coffee stains.’”
With these genre samples I tried to represent as faithfully as possible a broad range of genres, based on my own years of experience designing Metal logos and studying up on genres I'm not too familiar with. I then had them checked by several scene veterans and a fellow designer to confirm style accuracy and coverage. Some have not yet been officially validated by the “field experts,” but ultimately these remain interpretations anyway.
Maybe you have other ideas about what these logos are supposed to look like, or you don't think my comments are clever, helpful or funny. In that case, drop me a line and tell me what needs improving.
A shoutout to everyone who helped me write this guide: your insights and thoughts were much appreciated! Special thanks to three people who shared their time and expertise throughout this project and gave me useful feedback: Erik Negakinu, Marco W., and Melle Gerritsen.
I also did my homework on Metal artists, songs and genres. See the full list of references.